Rihanna’s forthcoming documentary title is revealed but no release date

Fans will soon be able to learn more about the life of Rihanna in a forthcoming documentary titled Rihanna: Volume 1.

Previously, the documentary’s details only included a $25 million payment from Amazon to receive the rights to the film and it would be directed by Peter Berg. The title of the doc was revealed as Deadline detailed additional films to come from Berg.

Rihanna and Berg first worked together for the 2012 action movie Battleship, forming the relationship that motivated the creation of this documentary. Volume 1 in the title may indicate the documentary being a part of a longer series.

Read More: Rihanna talks about debut acting role in 'Battleship' and new TV show (VIDEO)

Rihanna: Volume 1 is detailed as “an unfiltered look into Rihanna’s life, providing a glimpse into the evolution of one of the world’s most well-known pop artists,” W Magazine reports.

A statement from Berg’s production company, Film 45 also revealed the film will have “unparalleled access into the singer’s life and over 1,200 hours of footage” and allow viewers to receive “a journey through private insights into Rihanna’s personality and humor, philosophies on work, family and love that are both moving and inspirational.”

Any Rihanna announcement or update for the past year always comes with one question from fans: “Where is the album?”

Read More: Shaggy passed on appearing on Rihanna’s new album after being asked to audition

In December, as news began to emerge regarding the release, Rihanna fans were curious about the status of the body of work. Nicknamed by her ‘little monsters’ as ‘R9’, the album is reaching multiple levels of mystery.

Friday, after the surprise and long-awaited release of Lil Uzi Vert’s Eternal Atake album, Rihanna’s fans once again showed their desire for her music.

“Lil Uzi Vert dropped his album. Rihanna what’s your excuse???,” one user wrote.

Lil Uzi Vert dropped his album. Rihanna what’s your excuse???

— Shane (@shanegoldsmiith) March 6, 2020

While fans wait on a formal release, they will be able to hear the fashion-mogul-in-the-making singer soon as a featured artist on Canadian hip hop artist, PARTYNEXTDOOR’s new album, PARTYMOBILE releasing March 27.

Rihanna: Volume 1 release date has not been set.

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Why is the death penalty still a thing in 2020?

We’re 20 years into the 21st century, and we still have to deal with the continued existence of the McRib, new Taylor Swift music and the need to toss our beverages before entering airport TSA checkpoints. All of that, however, is more acceptable than the fact that the death penalty is still a thing in America.

Sometimes it’s easy to forget that we still legally abide state-sanctioned murder, especially when you live in a state that has abolished it, as I do. Leave it to the good state of Alabama to jolt us right back to our Evil Empire-reality as it did Thursday night when it executed Nathaniel Woods, Jr., shortly after the United States Supreme Court issued a temporary stay that it rescinded just hours later.

I preface the rest of this story by admitting that, by virtue (or consequence) of being a born and bred Detroiter, my personal moral bona fides tend to skew eye-for-an-eye. For example, I’d love to see the families of Dylann Roof’s victims spend 10 uninterrupted minutes with him in a locked, windowless room.

READ MORE: Nathaniel Woods executed hours after Supreme Court granted temporary stay

Rusty old fences of barb wire over blue sky. (Photo: Getty Images)

But the state has no damn business taking lives for a litany of reasons. By all accounts, it would appear that Woods has joined the sadly non-exclusive ranks of departed folks who should not have been put to death by the state or anyone else.

The issues with state-sanctioned death are manifold, but two are most relevant in Woods’ case. First, no one should be put to death if there’s even a tincture of evidence suggesting their innocence, and there was more than a tincture with Woods.

The 44-year-old was convicted of killing three Birmingham, Ala. police officers during a 2004 drug deal bust gone wrong. Woods’ co-defendant, Kerry Spencer, allegedly opened fire and killed three officers, wounding a fourth.

Spencer is also on death row awaiting appeal, and nothing anywhere suggests that Woods pulled the trigger or had any influence over Spencer to do so; Spencer himself even admitted that Woods was “100 percent innocent” of the shootings.

For all intents and purposes, Woods is dead because he was a 20-something drug dealer in the wrong place at the wrong time.

The other issue, of course, is the historical and systemic imbalance of the death penalty and its implementation on Black and Brown people. Entire books and other scholarly works have been dedicated to the racial bias inherent in the death penalty and the social justice system at large, but if you need quick and dirty empirics, look no further than the research from Washington D.C.-based nonprofit Death Penalty Information Center.

Just a few stats: Black people make up 34 percent of the more than 1,500 U.S. executions since 1976, despite comprising about 12 percent of the country’s total population. In California, you’re more than three times as likely to be sentenced to death for killing whites over Blacks.

READ MORE: Atlanta area woman to represent self in death penalty case focused on stepdaughter’s gruesome death

In Washington state, a jury is three times more likely to recommend a death sentence for a Black defendant than a white one in a similar case. Thirty states still employ the death penalty; perhaps it should come as no surprise that the vast majority of them are below the Mason-Dixon line.

Other pertinent stats: 88 percent of academic criminologists reject the idea that the existence of the death penalty deters people from committing murder. It costs states millions more per year to enforce the death penalty than to punish the same prisoner with a life sentence. Finally, if you think lethal injection is a light and fluffy alternative to the cruel and barbaric electric chair, rethink that shit as well.

(Photo: Getty Images)

I wish I could feel more optimistic about the abolition of the death penalty in a country where someone can plow through an elementary school full of kids with a semi-automatic rifle and Congress not bat an eye. I mean, pop culture tends to move the needle at times, so maybe point the next capital punishment apologist you encounter in the direction of 2019 legal drama Just Mercy.

The film is based on real-life social justice lawyer Bryan Stevenson’s (Michael B. Jordan) successful efforts to get Walter McMillan (Jamie Foxx) off of death row (in Alabama) for a crime that he absolutely did not commit. Foxx was definitely snubbed for the Academy Award, and even white folks love Michael Bae, so maybe it’ll help…?

The degree of punishment that Woods deserved for being present around controlled substances is debatable. What’s less debatable is that he was put on death row because he’s a Black man who was in physical proximity to a “friend” who killed three white officers in Alabama of all places.

What’s not debatable at all…? That Woods should not be dead at the hands of the state. Say his name.

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Dustin J. Seibert is a native Detroiter living in Chicago. Miraculously, people have paid him to be aggressively light-skinned via a computer keyboard for nearly two decades. He loves his own mama slightly more than he loves music and exercises every day only so his French fry intake doesn’t catch up to him. Find him at his own site, wafflecolored.com.

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