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Sunday, March 8, 2020

Working While Black: Winning Against Microaggression On The Job

Mindy Harts, Sandra Sims-Williams on microaggression

Microaggression, brief and commonplace daily verbal, behavioral, or environmental indignities, whether intentional or unintentional, that communicate hostile, derogatory, or negative prejudicial slights and insults toward any group, are an established occupational hazard for black women executives in corporate America. At the 2020 Women of Power Summit now happening in Las Vegas, a panel of black women professionals provided a game plan for overcoming this potential threat to career success, in a session titled “Working While Black: Overcoming Racial Bias, Microagressions, and Burnout.”

In a discussion moderated by Black Enterprise Executive Managing Editor Alisa Gumbs, Dow Chief Chemical Co. Human Resources Officer and Chief Inclusion Officer Karen S. Carter, The Memo LLC CEO/Author Minda Harts and Nielsen SVP of Diversity & Inclusion Sandra Sims-Williams collectively provided a game plan for winning against microaggression to achieve career satisfaction and success.

Challenge acts of microaggression with questions and education

“We have to make sure that we know who we are and walk in that every day… We have to have to educate in the moment,” says Carter.

That often means having the courage and confidence to ask questions that reflect micro-aggressive behavior back at the offender. Carter shared the experience—as the sole black person in a group of executives on a business trip lined up for first-class seats—of a flight attendant walking directly past her white colleagues to suggest that she might be on the wrong line.

Karen S. Carter on microaggression

Karen S. Carter

Carter’s response, “What is it that makes you think that would be the case?,” forced the flight attendant to confront the implications of that assumption.

However, Harts stresses that while educating others may be necessary, accountability for changed behavior lies not with the targets of microaggression, but with the offenders. “We have to have courageous conversations, but the other part of this is to encourage our would-be allies to be courageous listeners.”

One way of to do that is with some assigned reading, books that will help them to recognize racially offensive and micro-aggressive behavior and its impact. Hart ssays it’s one of the reasons she wrote her book The Memo: What Women of Color Need to Know to Secure a Seat at the Table; she instructs those who “didn’t know” that their words or actions were offensive to read it. Sims-Williams says she goes beyond just one book; she’s prepared with a book list.

When you can’t think of what to say in the moment, always circle back

Suppose you are so taken aback by an act of microaggression that you don’t know how to response in the moment?

“Always circle back,” says Carter. Instead of letting it drop (and fester), take the time to go back to that person later for a safe conversation, 1-on-1 conversation about the incident on your terms. “We must have the courage to have the conversation about what was said and how that makes you feel.”

“Before you do, take the time to decide what to say and how to say it,” she adds. “Write it down, and practice what you are going to say.”

Don’t isolate yourself; seek help from your network

“Sometimes, we don’t do enough to build relationships. Your relationships become sources of help when microaggression and bias happens,” says Sims-Williams.

All three women stressed the importance of having a “crew,” and not limiting its members to just black women. “Not every white person is trying to undermine you, and not every sister wants you to win,” says Carter.

It’s important to get to know others, and to allow others to get to know you, and the value you bring to the company. How do you build relationships with people who are not black women? Ask, says the panel. “Ask for mentoring. Set-up the meetings. Get on their calendars.”

You should work to establish relationships with people throughout your organization and at every level, including your CEO. “Whoever has what you need, you need to know,” says Hart.

Know your worth, know your options and never stop exploring them

Too often, Simms-Williams says, black women stay in unhealthy workplace environments and endure microaggression for longer than necessary, because they are unsure of their ability to do better elsewhere, and making changes often entails more risk for black women than for others. “There are other jobs out there,” she asserts. “Know your worth and don’t be afraid to exercise your options.”

Carter says you should always be exploring your options, even when you are happy with your work environment, and microaggression and bias are not issues. “The moment you have to execute your options is not the time to start looking for your options.”

 



from Black Enterprise https://ift.tt/2TNnD0z

Saturday, March 7, 2020

Misty Copeland Addresses Ballerinas in Blackface at the Women of Power Summit

Misty Copeland

Misty Copeland didn’t hesitate to address the discrimination that dancers of color face in the world of ballet during a fireside chat at the BLACK ENTERPRISE Women of Power Summit on Friday. The legendary ballerina opened up about the backlash she received late last year after she called out an elite Russian ballet company for having dancers perform in blackface. “I don’t think I can ever go back to Russia,” said Copeland at the conference.

The controversy began back in December when Copeland shared an image on Instagram of two teenage ballerinas wearing black-body suits. The image was from a rehearsal at the renowned Bolshoi Theater in Moscow and pictured the ballerinas in full dress for “La Bayadère,” a tragic love story set in India in the 19th-century.

 

View this post on Instagram

 

🤷🏽‍♀️ And this is the reality of the ballet world…. Refer to my last post @rafaelcasal #Repost @masha___mandarinka ・・・ ᒪᗩ ᗷᗩYᗩᗪEᖇE🙈- Люблю и ненавижу одновременно • • • Это было здорово,ребятки • • • На видео вы можете наблюдать явление безграничного счастья по случаю окончания всей данной экзекуции.(комментатор – @_k_lopatina_ ,тело,лежащее рядом – @_anamalia_ ) (К слову,могу заметить,что мой смех всегда меняется,и от случая к случаю я использую разные октавы.) • • • Thanks for the best time: @_k_lopatina_ @_anamalia_ @zzalesik @_adashio_ @tasiwonn @chchchekmarevamasha ❤❤❤❤❤❤❤❤❤

A post shared by Misty Copeland (@mistyonpointe) on

“This is the reality of the ballet world,” Copeland wrote as the caption, sparking an international debate. The 37-year-old dancer later took to Twitter to continue the discussion about the Bolshi dancers and the lack of diversity in ballet at large.

“It is painful to think about the fact that many prominent ballet companies refuse to hire dancers of color and instead opt to use blackface,” Copeland tweeted. “I get that this is a VERY sensitive subject in the ballet world. But until we can call people out and make people uncomfortable, change can’t happen.”

“I’m tired of giving the oppressors the benefit of the doubt,” Copeland wrote on Instagram in a subsequent post. “They need to be exposed, called out, educated and more. I have lived in the ballet world for 25 years. I have silenced myself around ‘them,’ and made them feel comfortable and suffered in silence. At 37 I feel ready and free to stop.”

In response, the Bolshoi dismissed Copeland’s criticism, arguing that blackface is a form of art that has been included in their performances for years.

“The ballet La Bayadère has been performed thousands of times in this production in Russia and abroad, and the Bolshoi Theatre will not get involved in such a discussion,” Urin RIA Novosti, according to the BBC. Meanwhile, many people defended the Bolshi ballet and some even accused Copeland of targeting the young ballerinas in the photo.

ballet racism

Misty Copeland and Caroline Clarke at the Black Enterprise Women Of Power Summit (Photo credit: Tyler Twins)

“I’ve gotten so much backlash, which is just crazy. It turned into me bullying some little girls because I exposed what they’re doing,” Copeland said at the summit. In addition to receiving pushback from Bolshoi’s artistic director and the lead ballerina, she said the theater argued that Russia doesn’t have a history of slavery and therefore American racial implications don’t apply to it. “They refused to stop doing it,” she said.

Nonetheless, Copeland, who made history in 2015 when she became the first black female principal dancer in the American Ballet Theatre, said having ongoing conversations about racism in ballet is necessary. “Those types of battles are so necessary but it’s really painful and hard,” she said. “As much as you say there’s racism still in ballet and the lack of diversity, people will still say, ‘I don’t see it.’ So, I’m like here it is.”

Watch Misty Copeland’s fireside chat at the 2020 Women of Power Summit in the video below, starting at the 1:10:47 mark. Her comments about the Bolshi Theater start around the 1:22:00 mark.



from Black Enterprise https://ift.tt/32YLAX2

Misty Copeland Addresses Ballerinas in Blackface at the Women of Power Summit

Misty Copeland

Misty Copeland didn’t hesitate to address the discrimination that dancers of color face in the world of ballet during a fireside chat at the BLACK ENTERPRISE Women of Power Summit on Friday. The legendary ballerina opened up about the backlash she received late last year after she called out an elite Russian ballet company for having dancers perform in blackface. “I don’t think I can ever go back to Russia,” said Copeland at the conference.

The controversy began back in December when Copeland shared an image on Instagram of two teenage ballerinas wearing black-body suits. The image was from a rehearsal at the renowned Bolshoi Theater in Moscow and pictured the ballerinas in full dress for “La Bayadère,” a tragic love story set in India in the 19th-century.

 

View this post on Instagram

 

🤷🏽‍♀️ And this is the reality of the ballet world…. Refer to my last post @rafaelcasal #Repost @masha___mandarinka ・・・ ᒪᗩ ᗷᗩYᗩᗪEᖇE🙈- Люблю и ненавижу одновременно • • • Это было здорово,ребятки • • • На видео вы можете наблюдать явление безграничного счастья по случаю окончания всей данной экзекуции.(комментатор – @_k_lopatina_ ,тело,лежащее рядом – @_anamalia_ ) (К слову,могу заметить,что мой смех всегда меняется,и от случая к случаю я использую разные октавы.) • • • Thanks for the best time: @_k_lopatina_ @_anamalia_ @zzalesik @_adashio_ @tasiwonn @chchchekmarevamasha ❤❤❤❤❤❤❤❤❤

A post shared by Misty Copeland (@mistyonpointe) on

“This is the reality of the ballet world,” Copeland wrote as the caption, sparking an international debate. The 37-year-old dancer later took to Twitter to continue the discussion about the Bolshi dancers and the lack of diversity in ballet at large.

“It is painful to think about the fact that many prominent ballet companies refuse to hire dancers of color and instead opt to use blackface,” Copeland tweeted. “I get that this is a VERY sensitive subject in the ballet world. But until we can call people out and make people uncomfortable, change can’t happen.”

“I’m tired of giving the oppressors the benefit of the doubt,” Copeland wrote on Instagram in a subsequent post. “They need to be exposed, called out, educated and more. I have lived in the ballet world for 25 years. I have silenced myself around ‘them,’ and made them feel comfortable and suffered in silence. At 37 I feel ready and free to stop.”

In response, the Bolshoi dismissed Copeland’s criticism, arguing that blackface is a form of art that has been included in their performances for years.

“The ballet La Bayadère has been performed thousands of times in this production in Russia and abroad, and the Bolshoi Theatre will not get involved in such a discussion,” Urin RIA Novosti, according to the BBC. Meanwhile, many people defended the Bolshi ballet and some even accused Copeland of targeting the young ballerinas in the photo.

ballet racism

Misty Copeland and Caroline Clarke at the Black Enterprise Women Of Power Summit (Photo credit: Tyler Twins)

“I’ve gotten so much backlash, which is just crazy. It turned into me bullying some little girls because I exposed what they’re doing,” Copeland said at the summit. In addition to receiving pushback from Bolshoi’s artistic director and the lead ballerina, she said the theater argued that Russia doesn’t have a history of slavery and therefore American racial implications don’t apply to it. “They refused to stop doing it,” she said.

Nonetheless, Copeland, who made history in 2015 when she became the first black female principal dancer in the American Ballet Theatre, said having ongoing conversations about racism in ballet is necessary. “Those types of battles are so necessary but it’s really painful and hard,” she said. “As much as you say there’s racism still in ballet and the lack of diversity, people will still say, ‘I don’t see it.’ So, I’m like here it is.”

Watch Misty Copeland’s fireside chat at the 2020 Women of Power Summit in the video below, starting at the 1:10:47 mark. Her comments about the Bolshi Theater start around the 1:22:00 mark.



from Black Enterprise https://ift.tt/32YLAX2

Legendary Jazz Pianist McCoy Tyner Dead at 81

Another one of the greatest who ever did it has gone on to glory.

Read more...



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OWN debuts ‘Love Goals,’ a juicy new unscripted celebrity relationship series

Oprah Winfrey Network’s (OWN) newest TV series brings love, reality TV and celebrity drama, together for a juicy storyline.

The show is based in Los Angeles, CA and features five celebrity couples, including rapper Coolio, NFL player, Dwayne Bowe, and Salt-N-Pepa’s Spinderella, as they all fight to save their relationships under one roof during an intensive two-week therapy program. The couples receive the help of celebrity therapist and media personality, Spirit, who has been seen on ”The Daily Helpline”, “The Bill Cunningham Show,” and “The Rickey Smiley Morning Show.”

READ MORE: OWN’s “Black Love” series is the honest conversation we all need about relationships

Through intimate one-on-ones and drama-filled group therapy sessions, Spirit breaks down her clients’ fears, trauma, and pain in order to form healthier relationships.

LAS VEGAS, NV – NOVEMBER 07: (L-R) DJ Spinderella, recording artists Althea Heart and Benzino speak onstage during the 2014 Soul Train Music Awards at the Orleans Arena on November 7, 2014 in Las Vegas, Nevada. (Photo by Earl Gibson/BET/Getty Images for BET)

”Love Goals” captures a broad range of challenges ranging from past trauma, communication issues, infidelity, fame, power, and even womanizing. The series tackles the issues that affect modern-day relationships, truly showing how couples work through struggles.

READ MORE: Relationship expert Tracy McMillan helps newlyweds and feuding family in new OWN series, Family or Fiance’

The show also features Benzino and Althea Heart, who are well known to fans for their featured roles and clashing relationship in “Love & Hip Hop: Atlanta,” and actress and former “Basketball Wives” star Sundy Carter and boyfriend Breyon Williams. Dee Dee “Spinderella” Roper is joined by her partner comedian Quenton “Q” Coleman; and Coolio is joined by his fiancé, Mimi Ivey

”Love Goals” premieres Saturday, March 7 at 9 p.m. ET/PT. Check out the trailer below.

 

The post OWN debuts ‘Love Goals,’ a juicy new unscripted celebrity relationship series appeared first on TheGrio.



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